^ a b c d Sabah "Dikir Barat With The ‘Endoro’ Touch", by Bernama Archived 7 February 2009 at the Wayback Machine retrieved on 30 January 2009. (Pantuns are an oral poetry form indigenous to the Malay region, and are not exclusive to the : CS1 maint: unfit URL ( link) Leading the awok-awok during the second and concluding segment of the performance, the tukang karut sings pantuns-most of which are likely original and improvised on the occasion of the performance, but some which may be known to the audience. His ability to do this helps to uphold the reputation of the dikir barat group. The tukang karut (who is often himself a former tok juara) is expected in his performance to utilise current social and political issues which will be relevant to the audience. The creative leader of a dikir barat group is the tukang karut. Though musically more complex than what will follow, the first segment is seen as the "low-key" segment of the performance. This first segment usually contains the more complex musical arrangements, and will likely feature the awak-awak (chorus) singing in unison with the tok juara, as well as responsorial segments of singing, similar to what the tukang karut does with the awak-awak, later in the performance. 
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The first is led by the tok juara, who is often the person in charge of the musical training of the group. gila-gila mp3 Saturday, DecemMegat Nordin ( Dikir Barat ) Click the link below for download this mp3 Klik pada link lagu dibawah untuk muat turun lagu percuma. In a typical dikir barat performance, the group will perform two segments. Where the dikir barat is performed competitively, the two competing groups will both be on the stage at the same time. A group usually sits cross-legged on a platform, sometimes surrounded by the audience. Dikir barat is typically performed by groups of ten to fifteen members, though there is no actual set size, even in competitive environments.
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